How the K-drama shows India’s inequality, economic inequality after the pandemic

A still from Netflix’s Squid Game. Photo Credit: YouTube Screengrab

A still from Netflix’s Squid Game. Photo Credit: YouTube Screengrab

At first glance, the appeal of Korean dramas may be mainly in never-before-seen locations, with good-looking actors giving life to gentle romances and taut thrillers. But the addictive ‘K-drama’ pill is central to the grim reality – job insecurity and unconventional careers in a world of economic inequalities.

Given that the popularity of Korean shows peaked during the long months of the pandemic, when many large and small businesses closed or layoffs in operations and many thousands lost their jobs, it is a reflection of the everyday realities that really I got hit at home.

Vaishnavi, a Bengaluru-based data insights expert, said the practice of part-time jobs, for example, has been featured in several shows that show a “growing gap” between the rich and the poor.

“It’s the same in our country. Also, the way we have entrance exams and so many people are vying for the same job. That’s how tough it all is,” said an enthusiastic viewer of the Korean show. PTI Explaining why she is so attracted to them.

Instead of old family money, the drama, which gave way to unconventional jobs and also sheds light on everyday hardships, is now focusing on hardworking people who do not inherit companies, but rise through the ranks. grow.

“It’s temporary, isn’t it?” Seoul’s aspiring dentist, played by Shin Min-e, asks in the popular show hometown cha-cha-cha Which ended on Sunday night, echoing that bewildered an entire generation.

She questions an odd-job specialist and graduate of Seoul National University, played by Kim Seon-ho, who insists on earning above the minimum wage rate.

Much to his dismay, he is not planning to settle further as he has come to honor the money he earned through hard work.

In squid game, Netflix’s blockbuster hit inspired by children’s games in Korea, 456 desperate contestants compete for 45.6 billion Won (about US$38 million) prize money in one play hungry Like a survival contest.

The show, with its themes of class inequality, debt, desperation and raw greed, has struck a chord among viewers already grappling with the pandemic-led economic divide that has resulted in the loss of many jobs and small businesses. Businesses are ruined.

Life is very expensive in South Korea, especially in the capital, Seoul, said Shruti Jargad, a student of China Studies from Peking University, Beijing. Therefore, she said, unemployed people are working many part-time jobs, called ‘arabit’ in Korean, even in plays.

“In the last 40 years there has been an increase in individualism. Once that happens, people want to move out of their parents’ house and achieve financial independence. There has also been the rise of the middle class which already has a lot No money for the family to pass on to the next generation,” said Jaipur-based Jargad PTI.

Sapriya, a student, said that many plays show people taking part-time jobs in coffee shops and food joints to pay their school fees or support their families.

“They also work part-time to earn some extra cash for expenses and to pursue their field of interest. It teaches us the importance of financial independence from an early age,” she said. PTI.

K-dramas, which find new addicts every day, also challenge gender stereotypes. A man is shown as a professional caregiver it’s better not to be okay, International Emmy Nominated Series, and navilera There are two men – a 70 year old and a 23 year old – doing ballet.

“I don’t think we’ve seen a Korean show specifically on men who are ballet dancers or who want to pursue this type of dance,” Jargad said.

She argued that a global leader in information technology, South Korea is a market that takes trends such as fish to water, and that when the new wave of feminism emerged in the 2010s, the country’s patriarchal and conservative society sought to progress. began to open its doors, he reasoned.

This has also resulted in a change in the portrayal of the working woman on screen – from a feisty poor woman being helped by her rich love interest. coffee Prince (2007) and a low-skilled worker battling sexism in misseng (2014) for calling for abuse at work something in the rain (2018) and the Trials and Trials of Women in a Search Engine Company Search: WWW (2019).

Korean series move with the times, even as they take creative liberties to create drama. Therefore, more emphasis is being laid on various professions, not just medicine, law and management.

“They also inspire us to choose our passion over society’s expectations. When we see characters chase their dreams, it gives us the courage to do so,” said Sapria.

family man Star Priyamani, who is also a K-drama fan, said that different roles bring diversity to the actor who plays the character.

“It’s a good thing that they are tapping into different aspects of a character when looking at a love story or the main premise of the show. There are other sides to the role, apart from just being a romantic interest,” she added. PTI.

According to Vaishnavi, in real life people work as stunt artists.secret Garden), interpreter/subtitle writer (keep going), Pharmacist and Librarian (a spring night) exist, but seldom have these professions taken center stage in plays.

“Watching prison playbook Made me think a lot about corrections officers in prisons. There are guards in prisons but finding out what that job involved was really new. How challenging is this job.” He added that these shows show a lot of variation in a profession that can be niche.

“Like a cook in a restaurant eighteen class was different from the chef in an old age home as shown Chocolate. We do not hold a stereotypical view of a profession. These details make the audience more interested in the show.” Aakriti Narang, a French student at the Institut Française de Slováqui, said the unconventional professions add a layer of cultural richness to the show.

He said, “The choice of unconventional professions for the protagonists adds an extra layer of cultural richness to the genre of the play. It provides insight into cultural values ​​at a faster rate than any traditional profession.”

Leave A Reply

Your email address will not be published.